Fall 2024Poetry

Caitlin Ferguson — Turing Test for the End of the World

What do you call yourself at night
when only the bats & nightshade
can hear you?

                                                                       Girl, girl, girl, sometimes
                                                                       sparrow, lichen, monster,
                                                                       always child. Thing of the wild,
                                                                       beetle and lizard, thistle or burr,
                                                                       a knot of weeds. A sound 
                                                                       like the clearing of a throat,
                                                                       a wheeze of air caught 
                                                                       in the chest cavity, an echoing. 
                                                                       Most nights, I like the names 
                                                                       that hurt the most: daughter, 
                                                                       daughter, mother, oil, home.

What scares you in the easy 
heat of a Tuesday morning?

                                                                       A river's syntax changes
                                                                               when it dries into fragments, 
                                                                                      end stops, mud, arroyos,
                                                                                   death tracts, a quieting.

When will you be happy?

                                                                      Agave neomexicana, the century
                                                                      plant, blooms death in a single 
                                                                      red stalk. Red as in robin's wing 
                                                                      or fire that eats mountains. Red 
                                                                      as lipstick or warning sign or flare 
                                                                      gun. A balloon limp in the spines.
                                                                      of a creosote. Panties crumpled
                                                                      on the floor of a bedroom or red 
                                                                      as the tides in our strangled estuaries,
                                                                      the coast's last spectacular flush.


What is the shape of time?

                                                                      Sometimes, when the day's 
                                                                      just starting to burn, a thrasher

                                                                      slices through what happened 
                                                                      and what could be, leaves chemtrails, 

                                                                      featherlike, behind. The past self 
                                                                      curls around each wing the way 

                                                                      space does, the way each future
                                                                      self is just a breath away. Here,

                                                                      I too am without. Less body, less
                                                                      rib or marrow. All my breath,

                                                                      singing. Look, a crow has the day
                                                                      in her beak. Regret dangling

                                                                      from her talons like a dead snake.


What is and who
do you love? 

                                                                      Let me tell you about the roots
                                                                      like veins spidering towards
                                                                      the thought of water, roots 
                                                                      that gentle through silt and sand,
                                                                      the thrum of want, roots like
                                                                      gnarled knuckles bloodied
                                                                      against concrete. No, wait, 
                                                                      let me begin again. The ponderosa
                                                                      outside our bedroom window
                                                                      died of thirst before we moved
                                                                      in. Its hollowed body chewed
                                                                      through, collapsed.

 


CAITLIN FERGUSON is interested in writing ecopoetry, especially concerning the internal and external landscapes and the Anthropocene. Her work has appeared in Twyckenham Notes, the Colorado Review, Cathexis NW Press, Split Rock Review, and elsewhere. Currently, she lives in Las Cruces, NM where she is an adjunct professor and a bookseller.

The author: Debra Marquart